Everyday Representations of War in Late Modernity / by Nerijus Milerius, Agnė Narušytė, Violeta Davoliūtė, Lukas Brašiškis
(Identities and Modernities in Europe)
| Publisher | (Cham : Springer International Publishing : Imprint: Palgrave Macmillan) |
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| Year | 2022 |
| Edition | 1st ed. 2022. |
| Authors | *Milerius, Nerijus author Narušytė, Agnė author Davoliūtė, Violeta author Brašiškis, Lukas author SpringerLink (Online service) |
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| Links to the text | Location | Volume | Call No. | Barcode No. | Status | Comments | ISBN | Printed | Restriction | Reserve |
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| Links to the text | Library Off-campus access |
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OB00189514 | Springer Social Sciences eBooks (電子ブック) | 9783031071355 |
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| Material Type | E-Book |
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| Media type | 機械可読データファイル |
| Size | XIV, 284 p. 18 illus : online resource |
| Notes | 1. Introduction -- 2. Cold War Cinema and the Traumatic Turn in Europe -- 3. The Holocaust in the Screen Memory of the USSR -- 4. The Conflict of Photographic and Cinematographic Representations of War in Soviet Lithuania -- 5. The Architecture of Lingering War in Everyday Life: Photography and the Double Time of Military Apparatus -- 6. The Erasure of Trauma and its Visualisation in Post-Soviet East European Cinema -- 7. Manifestations of Specters of War: Deimantas Narkevičius’ Legend Coming True and Sergei Loznitsa’s Reflections -- 8. War Machine, Visuality and Hypernormalization of Humans and Non-Human Lives in Works by Harun Farocki and Hito Steyerl -- 9. From Sites of Atrocities to Film of Death and Vice Versa. This book analyses photographic and cinematographic representations of war and its memorialisation rituals in the period of late modernity from the perspectives of cultural sociology, philosophy, art theory and film studies. It reveals how the experience of war trauma takes root in everydayness and shows how artists try to question the ‘normality’ of the everyday, to actualise the memory of war trauma, to rethink the contrasting experiences of the time of war and everydayness, and to oppose the imposed historical narratives. The new representations are analysed by developing theories of war as a ‘magic spectacle’, also by using such concepts as spectres, triumph and trauma, collective social catastrophes, forensic architecture and others. Nerijus Milerius, Professor at the Institute of Philosophy, Vilnius University, Lithuania Agnė Narušytė, Professor at Vilnius Academy of Arts, Lithuania Violeta Davoliūtė, Professor at Vilnius University, Institute of International Relations and Political Science, Lithuania Lukas Brašiškis, Adjunct Professor and Associate Curator for e-flux, Video & Film, NYU and CUNY, New York, USA HTTP:URL=https://doi.org/10.1007/978-3-031-07135-5 |
| Subjects | LCSH:Culture LCSH:Motion picture plays, European LCSH:Collective memory LCSH:Psychic trauma FREE:Sociology of Culture FREE:European Film and TV FREE:Memory Studies FREE:Trauma Psychology |
| Classification | LCC:HM621-656 DC23:306 |
| ID | 8000088683 |
| ISBN | 9783031071355 |
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