The Oxford handbook of film theory / edited by Kyle Stevens
(Oxford handbooks)
| Publisher | (New York : Oxford University Press) |
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| Year | 2022 |
| Authors | Stevens, Kyle editor |
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| Links to the text | Location | Volume | Call No. | Barcode No. | Status | Comments | ISBN | Printed | Restriction | Reserve |
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| Links to the text | Library Off-campus access |
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OB00190375 | Oxford Scholarship Online (電子ブック) | 9780190873950 |
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| Material Type | E-Book |
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| Media type | 機械可読データファイル |
| Size | 1 online resource : illustrations (black and white) |
| Other titles | variant access title:Handbook of film theory variant access title:Film theory |
| Contents | A Machine for Killing Time / Tom Gunning Buddhism and Film Theory: Beyond a Legacy / Victor Fan Film Theory as Ideology Critique (after Trump) / Nico Baumbach In Defense of Psychoanalytic Film Theory / Damon Ross Young In Other Words: Film and the Spider Web of Description / Timothy Corrigan Women's Hands and the Cinematic Cut: The Work of Montage in Man With a Movie Camera, Klute, and The Piano / David A. Gerstner Standing Up Too Close or Back Too Far? A Slanted History of Close Film Analysis / Adrian Martin Notes on Some Forms of Repetition / Homay King Interested and Disinterested Judgments: Film and Theory and the Valences of the Aesthetics / Daniel Morgan On Fire: When Fashion Meets Cinema / Marketa Uhlirova The Audio-Visual Non-relation and the Digital Break / Luka Arsenjuk The composer of musique concrète wields a camera / Michel Chion Documentary Listening Habits: From Voice to Audibility / Pooja Rangan Audiovisual Rhythm and its Spectator: Moonlight as Example / Rick Warner Contesting the White Gaze: Black Film and Post-Cinematic Spectatorship / Caetlin Benson-Allott Moral Philosophy and the Moving Images / Brian Price Lesbian Photographers: Affect and Cinematic Self-Discovery / Marta Figlerowicz An Invention Without a Future?: On the Importance of the Collective Cinema Experience / Julian Hanich Feminist Film Theory on the Brink of Laughter / Maggie Hennefeld Cinematic Experience: From Moving Images to Virtual Reality / Robert Sinnerbrink The Many Bodies of the Dancer-Actress: Towards A Kinesics of Film Acting / Usha Iyer The Medium Matters! In Defense of Medium-Specificity in Classical Film Theory / Malcolm Turvey Introduction: The Very Thought of Theory / Kyle Stevens FILM | VIDEO | ESSAY / Domietta Torlasco Film Theory and Machine Vision / Antonio Somaini Headphones, Cinematic Listening, and the Frame of the Skull / Kyle Stevens The Affective Turnabout's Fair Play / Sarah Keller On the Impersonality of Experience: Psychoanalysis, Interiority, and the Turn to Affect / Scott C. Richmond When and Where Does a Film Begin? Putting Films in Context / Amy Villarejo Those Who Have: The Impersonality of Film Theory / John David Rhodes Theory for the Masses; or, Toward a Vernacular Criticism / Noah Isenberg Empiricism and Film Theory: On the Moviola's Political Ontology / Kara Keeling / Davide Panagi |
| Notes | Also issued in print: 2022 Includes bibliographical references and index 'The Oxford Handbook of Film Theory' narrows in on the subject of film, not with a nostalgic sensibility, but with the recognition that what constitutes a film is historically contingent and in dialogue with the vicissitudes of entertainment, art, and empire. Essays topics include (but are not limited to) audiovisuality, silent cinema, psychoanalytic film theory, affect theory, critical race theory, and the male gaze Specialized Description based on online resource; title from home page (viewed on October 21, 2022) HTTP:URL=http://dx.doi.org/10.1093/oxfordhb/9780190873929.001.0001 Information=Oxford Academic |
| Subjects | LCSH:Motion pictures -- Philosophy All Subject Search |
| Classification | LCC:PN1995 DC23:791.4301 |
| ID | 8000089544 |
| ISBN | 9780190873950 |
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